They say it got all stopped up
in her lungs like influenza,
the streets of her subconscious
alight with alarm after alarm.
In the morning, she set a cup of acid out
to drown the fruit flies,
but at night she left the boxelder bugs alone.
Her mother taught her
how to hunt this way, a woman’s way,
cloaked in fever dreams,
counting coins like ticks of clocks
til grim the so-called reaper comes
(that campy idol no more frightening
than a worm). “We’re all just
frogs in water,” she used to say,
in a voice so loudly sweet
you couldn’t hear the devil speak,
not even if he howled.
“One day they’ll put you down
like an old broken horse
and weave your stolen blood
into garnet and gold.”
They say she had this secret
obsession with the branding iron,
painted spots of mud on her face
like a cow and sold her soul.
Royal, brutal, solitary: a special kind
of boundlessness that festers as it grows.
“Pay no matter to these idle hands,
this idle mind,” she used to say,
“for I am a mouth that bites!”
The night she left, they say
she dusted off her own silhouette,
plucked it delicate as cobwebs
from where it stuck to her cheekbones,
and as she walked away,
her body flashed like lightning
among the blackened sheets of rain.
The Queen of Pentacles (Reversed)
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